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Vintage beauties

Popular in 1960s German actress Angelica Domrose

One of the most beautiful in 1960s German cinema - actress Angelica Domrose

Born 4 April 1941 in Berlin, one of the most beautiful in 1960s German cinema – actress Angelica Domrose

Popular in 1960s German actress Angelica Domrose
Once, in one of the newspapers of 1958, an announcement appeared: director Zlatan Dudov was looking for a young girl to play Zigi in the film “Confused Love.” Then, of the many contenders, the director chose a seventeen-year-old stenographer, Angelica Domrose. She was beautiful, charming, photogenic and most importantly, natural in any circumstances. Besides, she had a very rare feature – not to be timid in front of Jupiters in the pavilion and street gapers in full-scale shooting.
The first heroine of Domrose – a shabby girl with cute and mischievous habits – brought popularity to the beginning actress. But very few people at that time knew that a year before her film debut, she failed at the entrance exams to the Institute of Cinematography. And after the film “Confused Love” Angelica Domrose entered the institute in Babelsberg.
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Beauty Icon Italian actress Lucia Bose

Beauty Icon Italian actress Lucia Bose

Born 28 January 1931, Beauty Icon Italian actress Lucia Bose

Beauty Icon Italian actress Lucia Bose
First, her film career lasted seven years: beginning at nineteen, she left the movie at twenty-six. And when Lucia Bose announced her intention to resume film career, the general reaction of the press was bewilderment.
Thirteen years given to the family, and how she decided to return to the set after such a break? To start all over again – not a young prize-winner of beauty contests, but on the eve of her forties?
Since 1955, Bose has ceased to act. Newspapers that have married “Miss Italy” with the “great torero” Miguel Luis Domingin as a sensation of medium caliber, have since firmly forgotten about the actress. Her name only rarely flashed in the columns of the society chronicle – until, after the divorce, she decided to return to the cinema. The surging wave of a new interest in the former celebrity also brought out some realities, together with the inevitable husk of gossip and speculation in such cases.
On one of her photographs of 1969 – Bose with her three children. They are very similar to the mother, beautiful, dark-haired – sixteen-year-old Miguel, twelve-year-old Lucia, and ten-year-old Paola. It is difficult to recognize in the new Bose, a soft, happy mother, that star of the Italian screen of the fifties, which fascinated us with her refined, slightly chilly beauty, proud manner and enigmatic detachment …
But a year later the Italian magazine Epoca wrote: “Despite the thirteen-year break, Lucia Bose managed to occupy a leading position in the cinema.” The question that varied criticism in connection with Bose’s new appearance was resolved. She is a professional, an actress, and not just an asterisk, a model entirely dependent on appearance, a passive object for a movie camera.
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Beautiful Bulgarian actress Tzvetana Maneva

Born 30 January 1944, Gorgeous Bulgarian actress Tsvetana Maneva

Born 30 January 1944, Gorgeous Bulgarian actress Tsvetana Maneva

Beautiful Bulgarian actress Tzvetana Maneva
Director Luben Groys spoke of her art as a “living miracle”: “Tsvetana is an actress by nature. For a long time I was looking for these two words – a miracle and a living. According to him, her work, like “high aerobatics in art” was performed before his eyes. “Her art breathes. She achieves miracles not in a supernatural way, but with talent, hard work and courage.”
Tsvetana Maneva grew up in the family of an actor who started her career, like many Bulgarian actors who saw an important educational mission in their work. They traveled around the country, knew the hardships, played under the strict eye of fascist censorship. The democratism of the Bulgarian theater determined the creative position of Georgy Manev, a modest and devoted worker of the theater during the Bulgarian Resistance. Tempering of those years postponed the imprint on his work, gave his images a manly density, physical and moral stability, sobriety and optimism. And his daughter inherited these solid moral foundations. They became her nature and in many ways determined her way in art, active creative and civic position.
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Gorgeous Mexican film actress Maria Felix

Gorgeous Mexican film actress Maria Felix (8 April 1914 – 8 April 2002)

Popular in 1940s and 1950s, Gorgeous Mexican film actress Maria Felix (8 April 1914 – 8 April 2002)

Mexican film actress Maria Felix
The name of this actress is inseparable from the entire national art culture of Mexico. In addition, her contribution to the world success of Mexican films of the post-war years is beyond doubt. After all, the time of the artistic rise of Mexican cinema was the time of success of film actress Maria Felix. At the same time, the crisis and decline of Mexican cinema coincided with the end of the screen biography of Maria Felix. And although in the following years she became an international star and, thanks to her fame and appearance, continued to star in Spanish, Italian and French films, yet her name and films remained a part of Mexican cinema.
In fact, even without the films of Maria Felix, Mexican cinema would still remain the art of a unique national identity. However, outside of this art, the actor’s personality of Maria Felix simply did not exist. She would have been just one of those beautiful movie stars who, blazing out with the instantaneous light of a transitory and phantom cinema, then fade and die, unable to withstand the dazzling radiance of another movie star, ascended to the screen sky.
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English actress Dame Judith Olivia Dench

English actress Dame Judith Olivia Dench

Famous English actress Dame Judith Olivia Dench

English actress Dame Judith Olivia Dench
Perhaps the earliest work of Dench is the role of Juliet in the production of the Shakespeare Royal Company. In 1960, Miss Dench only began her theatrical career, which earned her a reputation of the best and beloved by the audience actress of her generation. But even then, at the beginning of her theatrical path, her Juliet turned out to be a bright personality, possessing features that distinguished the artistic skill of the actress.
However, Judy Dench’s career began in 1957, when fate presented her with the gift that all the actresses dream of. She was 22 years old, had just graduated from the London School of Theatrical Art and came to audition for the famous Old Vic Theater, which was truly a Shakespearean shrine. Judy was stunned when she was immediately offered the role of Ophelia in Hamlet … For the next 4 years she played 10 different roles in Shakespeare’s plays.
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African women traditional headgear

African women traditional headgear

Black and white drawing. African women traditional headgear

African women traditional headgear
Every people in this world has its own idea of beauty, fashion and style. The ethnic diversity of the African continent manifests itself in everything: architecture, clothing, customs and traditions. Headdresses of African women demonstrate the inconceivability of shapes and sizes, brightness and variegated colors. Traditionally, any African woman decorates her head with narrow bandages in several threads or wrapped with cuts of fabrics of meter length. In fact, all depends on who, where and for what reason the hat is.
Noteworthy, traditional headgear of African women gradually penetrate into the world of fashion. And now they can be seen not only in the outback of the Black Continent, but also on the catwalks, and the covers of glossy magazines.
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Princess Death – Spanish-French actress Maria Casares

Spanish-French actress Maria Casares (21 November 1922 – 22 November 1996)

We watch ourselves grow old in mirrors. They bring us closer to death. Orpheus, 1950. Princess Death – Spanish-French actress Maria Casares (21 November 1922 – 22 November 1996)

Spanish-French actress Maria Casares
In the film of Jean Cocteau “Orpheus” Casares played Death, initially appearing in the guise of a mysterious, businesslike stranger in a black radio-fuzzy limousine (fiction for those days!). She is able to enter the depth of the mirror, leading the dead, and is able to return life, and gently, sacrificially love. Maria Casares plays Death, sent to Orpheus in the guise of a mysterious Princess.
According to the symbolist-poetic concept of Cocteau, Death was at the same time the embodiment of higher Love, and Maria Casares finally got the role she deserved. The searing blackness of her hair and clothes, the tragic Spanish temperament, the hypnotic gaze of the light eyes, suddenly replaced by black ones (painted by Cocteau on the eyelids of the actress) – this image is unforgettable.
Casares not only became a visual symbol of the style of this film, but also gave it her divine voice.
“… Maria Casares speaks, screams, her voice trembles, she trembles, falling into a state of trance, which already made the audience tremble … . Tears flow down her cheeks, she is sobbing. Jean Cocteau goes off shaken … “What an actress!” – he whispers.”
The episode refers to 1949 – the poet films the final scene of his “Orpheus” in the ruins of an old officer’s school, destroyed by German bombers.
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